| ADO
CERIC
Ado was recently featured as 'Artist of the Month' in ImagineFX
#14 and was one of the first two artists to jump on board.
He continues to work very hard on his visions of Erth with
genuine enthusiasm and commitment. He has always been fascinated
by the process of imagination and creativity. Ever since he
could remember, he has tried to find a way to truly express
himself...
...going beyond what mere words can articulate, and to
liberate my soul from the limits of what alphabets alone can
convey. After all, our emotions - however subtle they may
be at times - are far too dynamic and rich to just settle
with words...As the old saying goes, 'a picture is worth a
thousand words'".
"What I try to do is capture the essence of my thoughts
and dreams - especially the latter. I do get inspired by things
others might consider mundane: take, for example, colors of
fallen leaves on a solemn autumn morning, or the shapes of
clouds over a vast cityscape. I always believed that it’s
important to, 'Take the time to smell the roses...' Life has
so much to offer to our senses; let’s not ignore it!
Influences
David Lynch, Stanley Kubrick, Darren Arronofsky, Terry Gilliam,
Jean-Pierre Jeunet and Tim Burton, J.R.R. Tolkien, Merwyn
Peake, Frank Herbert, Edgar Allan Poe, Anne Sexton, William
Gibson, Neil Gaiman.
Full name: Ado Ceric
Date of birth: October 28th, 1975
Current Location: Los Angeles
Who is your most influential artist? Zdislaw
Beksinski
Last book you read? Mona Lisa Overdrive,
William Gibson
Favourite music? Boards of Canada, Sigur
ros, Cocteau Twins, Cyann & Ben, Slowdive
Favourite film? Jacob’s Ladder,
Blade Runner, 2001: A Space Odyssey, Eraserhead, Taxi Driver,
Fight Club, 12 Monkeys
Favourite TV series? Twin Peaks, Only
Fools and Horses, Black Adder, Monthy Python Flying Circus
Favourite animated series? Futurama
Pet hate: Arrogance and egotism
You are suddenly the most powerful person on the
planet, what’s the first thing you would do?
Stop all humans!
What attracted you in contributing to Erth Chronicles?
A rich and interesting universe and an opportunity to work
with other talented artists
What’s the most important professional advice
you would give a prospective artist? Practice and
practice and always have a sketchbook ready.
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